When we were talking to our teacher about the angle that we are approaching our film from, we came to a group decision that we had come from the psycological instead of a political based route, which is not what we had intended to do. So Melissa decided to go back and research the codes and conventions of Political Thrillers.
From the research that Melissa has found it is clear to see that we need to make a few changes in our storyboard. For example we need to add some political information that is occurring that is happening at the moment, we could achieve this by looking at recent news and gaining ideas from this. Our film wont be giving a reason as to why the protagonist wants to assassinate the Prime Minister, we will denote what the Prime Minister is giving the interview about and that's what the audience will assume has angered the protagonist. The protagonist believes he's helping the world by attempting to kill the Prime Minister, not causing trouble. As well as this we may be including another character (the teachers wife) so that we have an innocent character creating a juxtaposition between the protagonist and his wife, connoting the wifes innocence and the protagonists dangerousness.
From the research that Melissa has found it is clear to see that we need to make a few changes in our storyboard. For example we need to add some political information that is occurring that is happening at the moment, we could achieve this by looking at recent news and gaining ideas from this. Our film wont be giving a reason as to why the protagonist wants to assassinate the Prime Minister, we will denote what the Prime Minister is giving the interview about and that's what the audience will assume has angered the protagonist. The protagonist believes he's helping the world by attempting to kill the Prime Minister, not causing trouble. As well as this we may be including another character (the teachers wife) so that we have an innocent character creating a juxtaposition between the protagonist and his wife, connoting the wifes innocence and the protagonists dangerousness.
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